The work of Portishead co-founder Geoff Barrow, this sharp-edged though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
There is only one important plot development, but it leads to a hilariously staged chaotic run on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
Game releases in British and Irish cinemas from November 17.
