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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, a key member of the pioneering 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He subsequently formed the pioneering techno group The Grid, who secured chart success with 1994's the hit Swamp Thing.

Ball died calmly in his rest at his home in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

During that show, Ball performed in a mobility chair, as he had for the last two years, after a period of health issues.

"I ended up injure myself quite a bit," he stated in a recent interview. "I fractured lower vertebrae in my spine and fractured about five ribs and fractured my wrist."

Following catching a lung infection and suffering from blood poisoning, he was put in an induced coma and stayed in hospital for half a year.

Nevertheless, he had been in "a great place mentally" during the summer, as he worked on a fresh record with Almond, titled Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the new album that we actually finished only a short time ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense part of my life and for the music you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Being in a duo with someone is distinct from joining a band, the connection is incredibly close," he continued.
"That's how it was with us. We experienced so many remarkable, extraordinary, memorable moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Early Life

Born into a one-parent family in Chester in 1959, Ball was given up for adoption when he was a year and a half old.

He grew up in the seaside town with adoptive parents his caregivers, who altered his first name from his birth name to David, alongside his younger sister Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the very year, and quickly recorded an extended play.

Creative Collaboration

The pair were an unusual combination: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they attained a rare musical alchemy.

Ball had developed a fascination with synthesizers after viewing the band Kraftwerk appear on BBC science show Tomorrow's World, and started to marry moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of 1981, shifting millions of copies globally. Together with successful tracks by other artists, contemporary bands and electronic acts, it contributed to paved the path for the electronic music style of the 1980s.

The song was also included on their first album, their initial LP, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The pair were developing fresh songs right up until Ball's passing

Career Highlights

Success had its benefits. "I loved being able to afford my first home, having money and exploring, which makes me sound like a beauty queen," Ball recently shared with a music magazine.

But it also caused challenges. "Sudden riches meant we could purchase substances to relieve the monotony" of press appearances and television shows, Ball explained.

"I know that's a cliché, but it's a cliché for a good reason, because it works for so many bands."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they succeeded to create a follow-up classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released one more LP, 1984's This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond went on to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.

Following another break, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the large venue on 30 September, that year.

However, they stayed together, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately described the duo's new album as a tribute to the NYC nightlife they visited while making their initial records.

He noted that his period in hospital had influenced the band's sound.

"I experienced unusual memories when I was in and out of the hospital because I was on morphine," he told a music magazine.
"Our latest tracks are a electronic representation of the sounds in my mind from that time.
"In parallel, it's about the times me and Marc had in the 80s."

The last versions were finished only a short time before Ball passed away. It is due for release in Spring 2026.

The writer

Stacy Gilbert

Maya Chen is a tech strategist and writer with over a decade of experience in digital innovation and startup ecosystems.

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